Saya No Uchi De Katsu

June 18, 2009 by Dylan

Pete Starr (left) in action

Pete Starr (left) in action

The following is the third installment in Pete Starr’s monthly column. A practitioner of the Chinese martial arts for nearly 50 years, Pete is the author of Martial Mechanics and The Making of a Butterfly. Also, check out Pete’s upcoming summer 2009 release, Martial Maneuvers.

The title of this lecture can be translated as, “Victory is in the scabbard”; a snippet of sound advice from the era in Japan when swords were worn daily and put to their intended use not infrequently.  This short saying clearly infers that victory (katsu) is actually determined by the potential of the blade before it is drawn – while it is still seated inside (uchi) the scabbard (saya).  Numerous martial arts teachers have expounded on the true meaning and spirit of this saying and most of them place considerable emphasis on the importance of resolving conflicts peacefully so that one need not (figuratively) draw one’s sword.  And there’s a good deal of merit to this idea.

One of my favorite martial arts authors, Mr. Dave Lowry, devotes an entire chapter to this idea in his newest book, “The Karate Way”.  He reminds us that in ancient Japan, the samurai were constantly armed.  One would no more walk out of one’s house without one’s swords than one would step into the street without clothing.  Many non-samurai also carried swords although only samurai were permitted to carry both the long and the short swords.  Imagine living in a place where every other (male) member of your caste was armed, as well as many other members of society.  You would be constantly aware of the weight, both physical and psychological, of the weapon(s) you wore at your side.

Police officers and military personnel can vouch for this idea.  I know I can, having served as a peace officer in more than one capacity during my lifetime.  I was always acutely aware of the weight of the handgun I carried (both on and off duty) and the implications of its use should I ever be forced to empty my holster.  Wearing that weapon was a terrible responsibility that I both enjoyed and loathed.  Whenever I was called upon to enter into some difficult situation, whether it was to resolve a dispute or make an outright arrest, I would do my level best to diffuse hostilities and do my duty without having to resort to drawing my weapon. Like the sword of the samurai, my weapon was never drawn to threaten anyone.  It had only one function.

But I digress.  My personal rendering of the spirit of “Saya no uchi de katsu” is a bit different from that which is presented by the most other martial arts enthusiasts.  To me, it means that one’s spirit and shengxin (in Japanese, “zanshin”) should be strong enough that the enemy is unable to resist them when you enter into a conflict.  The (figurative) sword is sheathed but you will not hesitate for even a microsecond to draw it and cut the enemy down if the need should arise.  If your spirit is strong enough, your opponent will be rendered incapable of resisting you.  Victory is achieved at the instant that you determine to enter into the conflict, long before your sword is drawn (if it is, in fact, ever drawn at all).

Developing this kind of spirit and shengxin is not something that can be deliberately achieved.  In fact, the more you reach for it, the further it slips away.  It will come to you in time if you train hard and with a true heart.  So look at it, consider it, and then forget about it.

To read Pete Starr’s previous columns and related articles, please click here.

Independently Created Karma Kula: Mystic Warrior Takes Off

June 16, 2009 by austypants

karma_kula

Siblings and lifelong martial artists Satya, Sudhadra, and Siddha Bellord have joined forces creating a group known as the Ninjai Gang: young stuntmen by day, musicians, animators, and artists by night. They’ve dedicated the last several years of their lives to creating Karma Kula: Mystic Warrior. What’s impressive about this 10 episode, live-action martial arts adventure/mini-series is not just the fact that it’s incredibly well-done, which it is. The cinematography is brilliant. The martial arts is awesome and the tale itself is spooky and drenched in wry humor. But what makes this series truly impressive is that the team of siblings essentially undertook the project very much on their own—producing, co-directing, choreographing, and starring in the series. The passion involved in dedicating themselves to independently creating this masterpiece comes through on film. They’re gaining quite a following simply by word of mouth. It’s that good. Definitely worth taking a look at!

Here’s the first episode, complete with an epic fight scene:

And the funny, psychedelic fourth episode (part 1):

For more episodes and information, please click here.

Thanks goes out to our intern Austin Geidt for contributing to this post.

Chi Kung: Feel the Power of Life

June 9, 2009 by hanajoey

Continue to nurture your Chi, improve your health, and cultivate your inner artist with part II of “Tiger’s Breath” Chi Kung form with Kaleo and Elise Ching!

“Tiger’s Breath” Chi Kung affects your being on multiple levels: physically (musculoskeletal), energetically (meridians and acupoints), mentally (focus, centeredness), emotionally (endocrine/hormonal system), and spiritually (the Divine within and without).

Chi Kung Part II begins this Thursday, June 11 from 7 to 8:30 pm.

•    The first class is free.
•    $15 drop in fee or $50 for 4 classes

Classes are held at the Acupressure Institute at Cedar and Shattuck in Berkeley (510-845-1059).

Classes are open to all levels and anyone can begin anytime. Those with minimal or no experience are recommended to start at the beginners level.

Be sure to read their book Chi and Creativity: Vital Energy and Your Inner Artist.

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Register now for “Faces of your Soul” Workshop: One Space left!

Create a Mask of Your Muse! Kaleo and Elise are also teaching a Maskmaking workshop to spur on your creativity through the discovery of your inner Muse. This inspirational journey of creating a plaster gauze mold of your face allows you to access hidden sources of your own unique expressions and delve into your deep inner awareness.  Artists, healers, therapists, and anyone who seeks to reconnect with his/her Muse, the source of one’s creativity are welcome.

dianafaces174x250

Workshop Details:
When: Saturday and Sunday, June 27 and June 28  (10am-6pm)
Where: Kaleo’s studio in Richmond
Fee: sliding scale $220 – $250 (includes a $30 fee for a feast of art supplies)
Register: Limited to 8. To reserve your place, send $50 nonrefundable deposit to:
Kaleo Ching
5619 Doremus Ave., Richmond, CA 94805
Contact: Kaleo and Elise, 510-237-9122, lotus@kaleoching.com

Click HERE to view a maskmaking video and the past students mask gallery.

Come prepared by reading their book Faces of Your Soul: Rituals in Art, Maskmaking, and Guided Imagery with Ancestors, Spirit Guides, and Totem Animals.

Click HERE to view a list of Kaleo and Elise’s other workshops and classes.

New From Blue Snake Books This Summer

May 27, 2009 by nab1

Blue Snake Books is proud to present our new summer releases. Summer is a time to be active and to take advantage of beautiful weather and a relaxed schedule. The study of martial arts is a great way to exercise both body and mind. Our new titles cover a variety of disciplines and will get your blood pumping this summer.

To order, please visit the  Blue Snake Books website.

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Bagua Linked Palms
By Wang Shujin, Translated by Kent Howard and Chen Hsiao-Yen

Bagua Linked Palms

Master Wang Shujin (1904–1981) was one of the world’s foremost exponents of Chinese internal martial arts, with legendary expertise in the disciplines of Bagua Zhang, Taiji Quan, and Xingyi Quan. This book offers a lucid translation of Master Wang’s seminal work on Bagua Zhang and includes expanded instruction by co-translator and noted Bagua Zhang expert Kent Howard. Bagua Linked Palms includes a wealth of additional information useful to the practitioner of internal martial arts, including the story of Bagua Zhang’s development, the connection between the Bagua and the I Ching, and step-by-step instruction in the eight “changes” of Bagua Linked Palms, the first form in Master Wang’s style of Bagua Zhang.

$15.95/$19.95
Trade Paper
978-1-58394-264-2
112 pages, 7 x 9-1/4

On sale June 2, 2009

Click HERE to view the Bagua Linked Palms blog.

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The Complete Taiji Dao: The Art of the Chinese Saber
By Zhang Yun

Complete Taiji Dao

The dao, a single-edged sword with a curved blade, is one of the most popular weapons in traditional Chinese martial arts. The art of Taiji Dao is a set of skills for using the dao, derived from the popular martial art Taijiquan. The Complete Taiji Dao introduces the principles and practice of Taiji Dao and provides illustrated discussions of the history of Chinese swords. The book covers the history and features of the dao; the Taiji principles from which Taiji Dao practice derives; the basic skills and techniques of the art; detailed descriptions and photographs of the traditional Taiji Dao form; and Taiji Dao fighting principles and training methods. Broad in scope and detailed in its presentation of the principles and practice of Taiji Dao, this book represents a significant contribution to the field of traditional Chinese weapons practice.

$27.95/$34.00
Trade Paper
978-1-58394-227-7
464 pages, 8 x 10

On sale June, 23, 2009

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The Wing Chun Compendium: Volume Two
By Wayne Belonoha

Wing Chun Compendium V.2

Wing Chun, also called Ving Tsun, is a popular system of kung fu designed centuries ago by a Buddhist nun and Shaolin master. Together, the two volumes of The Wing Chun Compendium offer a complete guide to the discipline, from theory and philosophy to drills and forms. In this volume, author Wayne Belonoha takes students to the next level, focusing on the final three and most advanced forms of the Wing Chun system and their associated skills: the “Mook Yan Jong” or wooden man; the “Lok Dim Boon Quan” or six-point long pole; and the “Baat Cham Dao” or eight-cut sword form. While intended for the serious practitioner, The Wing Chun Compendium, Volume Two also teaches the basics of body movement, psychological components of practice and performance, and how to use martial arts for overall self-improvement—factors that can help any martial artists seeking to enhance their physical and mental development.

$39.95/ $49.00
Hardcover
978-1-58394-229-1
472 pages, 8 x 10-1/4

On sale July 14, 2009

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Unknown Capoeira: Secret Techniques of the Original Brazilian Martial Art
By Mestre Ricardo Cachorro

Unknown Capoeira

Capoeira, a fascinating hybrid of martial art, game, and dance, has long captivated practitioners in all those areas of interest worldwide. Originating in Brazil, the form has been traced back to the 16th century, created and developed by slaves brought from Africa. Written by a legendary master, this book examines the form as the complete martial art, including its history, music, dance, and folklore. Designed as a comprehensive resource of linked information and techniques, so that the capoeirista or the researcher can benefit most from reading the whole book, Unknown Capoeira features special sections that outline the objective of each technique, how to practice each technique alone, the main points of impact, and the defense and counterattack strategies. The book is intended for capoeiristas of all skill levels.

$24.95/ $29.95
Trade Paper
978-1-58394-231-4
272 pages, 7 x 9-1/4

On sale July 28, 2009

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Martial Maneuvers: Fighting Principles and Tactics of the Internal Martial Arts
By Phillip Starr

Martial Maneuvers

In Martial Maneuvers, Phillip Starr demonstrates that while the internal martial arts—Taijiquan, Bagua Zhang, and Xingyi Quan—might be considered ineffective for practical self – defense, they in fact have a long history of combat use. Starr returns to the roots of the three major internal arts, demonstrating the combative principles upon which they were originally based. This book often takes a lighthearted and humorous approach to what can often be challenging material, and provides training routines in easy-to-understand language. Numerous photos demonstrate the step-by-step implementation of fighting techniques, teaching readers how to apply them to their own chosen martial disciplines. While designed primarily for the internal martial artist, the techniques demonstrated can also benefit and enrich the training of a student of any discipline, including karate and kung fu.

$18.95/$23.00
Trade Paper
978-1-58394-230-7
250 pages, 7 x 9-1/4

On sale August 4, 2009

Click HERE to visit the author’s website.

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The Gift of Danger: Lessons from Aikido
By Mary Stein

Gift of Danger

Mary Stein took up aikido in her mid-fifties and quickly learned what it really means to face danger—both external and internal. In this powerful collection of short essays, she vividly describes learning an active and spirited defense on the mat, in the process uncovering a lifetime of habitual tensions and emotional reactions, of flight and ineffective fight. The Gift of Danger is aimed at men and women for whom the question of what is genuine in their lives has taken on fresh urgency. Above all, Stein shows that a sense of danger has extraordinary importance for the martial artist; when danger is present during training, one learns to test limits and respond quickly and accurately. This book is both a striking story of personal growth and a potent argument for Aikido as a model for human behavior.

$14.95/ $18.95
Trade Paper
978-1-58394-273-4
120 pages, 6 x 9

On sale August 25, 2009

Coming in June: Bagua Linked Palms

May 19, 2009 by Dylan

Bagua Linked Palms

In the upcoming June release Bagua Linked Palms, Kent Howard and Chen Hsiao-Yen introduce readers to a rarely seen personal side of Wang Shujin—a fighter, teacher, and spiritual leader.

Master Wang Shu Jin (1904—1981) was the first person to transmit orthodox Chinese martial arts in Japan. As one of the world’s foremost exponents of Chinese internal martial arts, Howard’s new translation highlights Master Wang’s seminal work on Bagua Zhang, including his legendary expertise in the disciplines of Taiji Quan and Xingyi Quan.

Wang Shujin

Bagua Linked Palms includes a wealth of additional information useful to the practitioner of internal martial arts, including the story of Bagua Zhang’s development, the connection between the Bagua and the I Ching, and step-by-step instruction in the eight “changes” of Bagua Linked Palms, the first form in Master Wang’s style of Bagua Zhang. This comprehensive, richly annotated text is a valuable addition to every serious martial arts library.

Other related titles from Blue Snake Books include Liu Bin’s Zhuang Gong Bagua Zhang, The Whirling Circles of Ba Gua Zhang, Combat Techniques of Taiji, Xingyi, and Bagua, and Walking the I Ching.

Here is some classic footage of Wang Shujin:

Wang Shunjin demonstrates his Bagua (with Liao Wuchang)

Wang Shujin leads a class in Japan

Click here to order Bagua Linked Palms from Amazon.

Bay Area Martial Arts Calendar #8

May 4, 2009 by nab1

Here is our latest Bay Area Martial Arts Calendar. Enjoy!

muay_thai

Camp Danzan Ryu

  • An intense three-day camp featuring instruction in dozens of martial arts systems, including Eskrima, Shotokan Karate, Aikido, Krav Maga, and of course, Danzan Ryu Jiu Jitsu
  • May 15-17, 2009
  • Mt. Cross Camp in Ben Lomond, CA

Click HERE for more information on this event

Kufferath Masters Seminar

  • The premier event of the year for Kilohana Martial Arts Association, featuring a day of intense training with some of the best teachers of Jiu Jitsu, Judo, Aikido, Eskrima, Wing Chun, and many other arts.
  • May 30, 2009
  • Campbell Community Center
  • 1 West Campbell Ave., Campbell, CA

For more information, please contact Hans Ingebretsen, hansingebretsen@yahoo.com

Unity Martial Arts Championships

  • 5th Annual Unity 2009 Martial Arts Championships
  • BASKA (Bay Area Sport Karate Association) 5 star event
  • May 23, 2009
  • Solano County Fairgrounds
  • Vallejo CA

Click HERE for more information about this event

WKC Western Regional Qualifier

  • Qualify for World Championships with WKC (World Karate and Kickboxing Council)
  • May 23, 2009
  • Solano County Fairgrounds
    900 Fairgrounds Drive
  • Vallejo,CA CA

Click HERE for more information about this event

The Awakening

  • World Combat Sports Challenge (WCSC)
  • The first event in the state to showcase MMA and Muay Thai in a five-rope ring.
  • May 30th
  • Kezar Pavilion in San Francisco.
  • Tickets are available at the front desk at Team USA on 2575 Ocean Avenue (right off of 19th Avenue).

Click HERE for more information about this event or call Team USA at 415.333.3496.

GSKA (Golden Stake Karate Association) Earthquake Challenge

  • Jr. Merafuentes
  • May 16, 2009
  • Johansen High School
  • 641 Norseman Dr, Modesto

Click HERE for more information on this event

2009 Ultimate InterNational

  • May 30, 2009
  • Gold Cup Circuit Event, Karate
  • Santa Clara Convention
  • 5101 Great America, Santa Clara
  • (707) 643-7778

Click HERE for more information on this event

The Art of Aikido

May 1, 2009 by nab1

Aikido is a masterful martial arts technique that values submission and control over one’s opponent rather than inflicting damage, and it has earned the nickname of the “peaceful martial art.” In her book, Aikido Exercises for Teaching and Training, author C.M. Schifflett presents a study of Aikido in a comprehensive way that is meant for teachers and students at every level of Aikido study. With over 100 illustrations and detailed techniques and exercises, this book demonstrates how to do throws, rolls, wristlocks, and even discusses verbal self-defense techniques. What really makes this book unique is the author’s use of examples from literature, real life situations, and pop culture in order to illustrate the primary, fundamental lessons of Aikido. For anyone looking to begin their study of martial arts, enhance their Aikido expertise, or explore a new martial arts discipline, Aikido Exercises for Teaching and Training will make the process easy and enjoyable.

Click HERE for more information on Aikido Exercises for Teaching and Training.

Take the quiz below to compare your thoughts on the most important aspects of martial arts training.

Shengxin, Mind of No Mind

April 29, 2009 by Dylan

Pete Starr

The following is the second installment in Pete Starr’s monthly column. A practitioner of the Chinese martial arts for nearly 50 years, Pete is the author of Martial Mechanics and The Making of a Butterfly. Also, check out Pete’s upcoming summer 2009 release, Martial Maneuvers.

All traditional martial arts make reference to a peculiar state of consciousness in which the mind/awareness/intention is aware of, but not fixed or “stopped” upon, everything which passes through it’s field of awareness.  In Japanese and Okinawan martial arts this condition is referred to as “zanshin.”  In Chinese it is called “shengxin” (it’s pronounced shung shin).

The character for “sheng” means “to remain, to be left over.”  “Xin” is usually taken to mean “mind,” but the character actually is a pictograph of the heart which indicates that there’s more involved here than just what we Westerners typically think of as “mind.”  The heart is the seat of the emotions; of our inner feelings as well as the home of the “mind” (which, by the way, is not the same as the “brain”).

So, the term “shengxin” refers to feelings and awareness that “remains” or is “left over”.

I have often told my students that the art we practice (Yilichuan) is an art that is based almost entirely on feeling rather than physical sensations such as sight, sound, and so forth.  This statement is understood pretty easily but putting it into practice can be more than a little difficult, and few there are who realize that the condition of “shengxin” is what the Yilichuan practitioner, as well as devotees of other traditional martial disciplines, should strive to attain.

It’s easier to describe what “shengxin” is not as opposed to what it is.  For instance, many people refer to it as a special type of awareness.  This can lead students to think that “shengxin” is sort of “focusing the awareness/mind on one particular thing.”  And that ain’t it at all.  In fact, that’s the opposite of what “shengxin” is.

When you “keep One-Point” you must necessarily acquire “shengxin.”  Your body and mind are centered and calm.  “Calm” shouldn’t be taken to mean “flaccid” or “empty.”  It simply means calm.

Imagine that you’re walking through a forest.  You let the forest “come to you”, as it were.  You don’t try to focus on every bird, on every tree or bush, on every sound…you remain tranquil and simply take them all in.  If you hear a sudden rattling sound and, concerned that it might be a rattlesnake, you focus all of your attention on it, you will not hear the growl of the bear behind you.

If an opponent feints a strike to your left side and your awareness shifts to that side, you won’t see the real attack moving in on your right.

If your attention is focused on blocking or evading an opponent’s attack your mind stops there, on his attack just at that moment.  Because the mind leads the body your physical posture, your movement(s) sort of “hiccup” and you will be easily defeated.

Some people say that “shengxin” is comparable to “being in the zone.”  The definitions of this condition seem to be as varied as the people describing it, but as I understand the concept, I would have to say that the two are not the same.

One author described a situation wherein one of his pupils was competing in forms competition at a local karate tournament.  As the student was performing his form, a toddler ran into the ring and the mother bolted after him.  It happened so suddenly and quickly that there was no time for the judges to stop them and as it happened, the student completed his form without running into either of them and without hesitating even for a second.

Needless to say, the judges were very impressed with his concentration and he was awarded a first-place trophy.  Several officials applauded his “zanshin” but when his teacher congratulated him he admitted that he hadn’t noticed the toddler or mother at all; he was completely unaware of them and it was just dumb luck that he hadn’t accidentally struck one of them.

This lack of awareness (caused by focused concentration) is certainly not “shengxin” and his instructor told him so…  The student was “in the zone” and performed a beautiful and nearly flawless form.  But he had no “shengxin.”

The same author goes on to say that zen (in Chinese, “chan”) enthusiasts sometimes equate “shengxin” with the mental state known as “mushin” which is usually translated as “no-mind.”  This is a condition wherein the mind is free; it doesn’t grasp, it doesn’t try to “hold onto” any particular thing.  It simply flows freely from one thing to another with no stopping, no “grasping.”

I think it is important to note that “mushin” does not mean “no mind.”  It means “no-mind.”  There’s a difference.

In the practice of forms (as well as two-person training exercises such as one-step or sparring) it is essential that students strive to understand and then achieve “shengxin.”

You must necessarily achieve this skill in order to truly “connect” (in Chinese, lianjie, which means, “to connect, join together”) with your partner/opponent.  Think on that—because it is through connecting that Yili’s eight shapes are applied.

Shaolin Headstand

10 Questions for Freya and Martin Boedicker, authors of The Philosophy of Tai Chi Chuan

April 28, 2009 by Dylan

Philo_tai_chi

Freya BoedickerMartin Boedicker

Freya and Martin Boedicker are the authors of The Philosophy of Tai Chi Chuan, published this month by Blue Snake. Freya and Martin run the Forum for Traditional Wu Tai Chi Chuan and teach Tai Chi in Germany, England, Holland, Poland, Belgium, Spain, and South Africa. Both have published articles on Tai Chi theory and application in Tai Chi journals across Europe. They live in Willich, Germany.

For further information on Tai Chu Chuan and Chinese philosophy, please visit the authors’ blog and check out their YouTube videos, available here.

1. What drew you to the study of Chinese philosophy?

At a young age we both became interested in philosophy. Contact with Asian martial arts deepened this interest, and prompted us to concentrate more fully on Chinese philosophy.

2. How does an understanding of Chinese philosophy add to one’s practice of Tai Chi Chuan?

The Philosophy of Tai Chi Chuan introduces one to twelve different texts. Each text has an introduction, which explains the connection between the text and Tai Chi Chuan. For example, the core concept of Tai Chi Chuan like “The soft overcomes the hard” is not an invention of the old Tai Chi Chuan masters. It is a main idea of Chinese philosophy and found, for example, in the Lao Tzu and the Huainanzi. Entering the world of Chinese philosophy one can have a look at the original, which often means wider explanations. This will certainly deepen for one’s practice of Tai Chi Chuan.

3. In the Introduction of The Philosophy of Tai Chi Chuan you mention that the movements of Tai Chi Chuan express certain concepts of Chinese philosophy. Can you elaborate on this?

The movements of the martial art Tai Chi Chuan are soft and tender, but the goal is to win against a stronger opponent. It is as Laozi advises: “The soft overcomes the hard.” This is known by everyone, but not everyone practices it.” Chinese philosophy is practical philosophy. It provides you also with a lot of knowledge about how to use your body. E.g. a requirement to the movements of Tai Chi Chuan is to develop stability through a good body structure. The Inner Training states: “Only if one is aligned and still, one can be stable.” If you watch the performance of a Tai Chi Chuan master you will find this idea expressed in a beautiful way—you see Chinese philosophy in action.

4. What do you think contemporary westerners can gain from the study of Chinese philosophy?

Chinese philosophy teaches you to look at yourself and to get into the process of self-cultivation. The process of self-cultivation involves many very interesting ideas. We want to give two examples:

a) One of the main topics of Chinese philosophy and Tai Chi Chuan is the non-acting (wuwei). It means not to interfere or act against naturalness. We think this special idea of relaxation in action is a goal worthy of achieving.

b) Also of great interest for the Chinese philosopher is the right timing. Only with the right timing non-acting (wuwei) is possible. In the Huainanzi it is stated: “The one who is too early has easily done too much. The one who is too late has difficulty acting at all.” How true. Easy to understand, hard to bring into practice. Tai Chi Chuan is the perfect tool to learn it.

5. Do your students’ often ask about Chinese philosophy? Is it difficult for western students to understand?

Yes, they do and we always taught Tai Chi Chuan in addition with Chinese philosophy. It is quite easy to understand if it is explained to you. So students naturally ask for books about it. There are many books about Chinese philosophy, but they are not written specifically for the Tai Chi Chuan student. Thus we wrote The Philosophy of Tai Chi Chuan, which was already a success in Germany.

6. What are your thoughts on the study and practice of Tai Chi Chuan in Germany? Is there a great difference in the perceptions and practices of countries throughout Europe? Between Europe and the U.S.?

We have been following the development now for more than 20 years, and we think that Tai Chi Chuan is on the right path. It became very popular all over the world. Of course there is always the fear of a ‘watered down’ Tai Chi Chuan, but more and more original knowledge is coming from China and western teachers are becoming better and better. The U.S. was always at the forefront of this development, but Europe is also on the way. We do not see many differences between continents or countries. It is more the presence of a good teacher (who are often traveling around the world) that produces the quality.

7. In The Philosophy of Tai Chi Chuan you draw from many texts and many philosophers. Is it difficult to find copies of some of these texts?

The passages in The Philosophy of Tai Chi Chuan can be found in other books as well. But in those books they are incorporated in the full work of the author. It can thus be hard for the Tai Chi Chuan student to find passages, which fit to his/her art.

8. Do either of you have a favorite Chinese philosopher?

No, all philosophers have something specific, which is interesting. It is the sum of the knowledge that is so exciting. We are sure that we can show this in The Philosophy of Tai Chi Chuan.

9. What are some of the differences between the five major styles of Tai Chi Chuan? Do you think it is important to have an understanding of all five styles or to focus solely on one?

It is impossible to explain in short the differences between the five major styles, but we are sure that it is fruitful to concentrate on one style. It is like playing a classical instrument. To learn violin and cello at the same time is very difficult. This does not mean that one should not be open for exchange, especially if one is more advanced. Like playing instruments together.

10. Can you suggest other books for those who would like to continue reading about Tai Chi Chuan and Chinese philosophy?

We are sorry to say, but there are not many books which focus only on that topic. But some books look at the cultural background of Tai Chi Chuan and they are always a good read:

Barbara Davis, The Taijiquan Classics
Douglas Wile, Lost T’ai-chi Classics from the Late Ching Dynasty
Arieh Lev Breslow, Beyond the Closed Door: Chinese Culture and the Creation of T’ai Chi Ch’uan

Click here for more information on The Philosophy of Tai Chi Chuan.
Click here to visit the authors’ blog.
Click here to visit the author’s YouTube channel

Great MA Blogs – Round 1

April 9, 2009 by Dylan

judo3031

Here is a list of quality martial arts blogs. If you have any suggestions for this list, we would love to hear them.  We will continue this list with more categories in the coming months.

AIKIDO

Aikido Journal Blog

Connor & Zolley’s Aikido Blog

CAPOEIRA

Angoleiro’s Blog

Mandingueira

GENERAL MARTIAL ARTS

Robert’s Martial Arts Blog – About.com

Black Belt Mama

Dojo Rat

Formosa Neijia

Martial Development

Martial Edge Blog

INTERNAL MARTIAL ARTS

Cloud Hands: Mind/Body Movement Arts

Rapid Journal (OK–not a blog, not even online, but an awesome MA journal from the Philippines)

JIU JITSU

Jiu Jitsu Brotherhood

Steve’s BJJ Log